Tuesday, 14 April 2020

The Choice of Judas?

A section of a painting of the Last Support, showing Judas reaching for food. The painting is considered to be in Byzantine style, though dating from circa 1100 CE.
Judas reaches for the food, School of Monte Cassino, c.1100
In keeping with my previous writings concerning ‘Times and Seasons’, and with conditions being so different from the usual at the moment, I have been reflecting on the Easter story.
I don’t have a great deal of skin in this game, not being a Christian or believing in the divinity of Jesus – or at least any more divinity than anyone else. Still, it is the tradition I grew up in. The irreligiosity of my family didn’t diminish the exposure to the story that one gets from wider society. It is a story that few who grew up in the UK, at least around the time I was doing so, could avoid knowing about.
Of course, without more study than even most Christians put into it, you get a very simplistic idea of the story. As with the Christmas story, the story we generally get through liturgy, or being taught in school, or seeing dramatic interpretations, is a sort of hodgepodge of the different gospel accounts. The journey into Jerusalem, assorted miracles, the Last Supper, the betrayal at Gethsemane. Yet all of these elements are different in different gospels, as I noted in previous writing concerning the Last Supper. Now, I am going to focus on the betrayal of Jesus by Judas, a story whose meaning I’m not sure is appreciated as best it might be – and a story that has been used down the centuries to justify injustice.
Textual and source criticism of the Bible is a fascinating area of study, and one I have not engaged in, but I appreciate the work of others and try to draw some learning from it. It is generally accepted that Mark was the first gospel, that Matthew and Luke are both based on a combination of an early version of Mark along with the ‘Q Document’ (hypothesised to be a collection of recorded sayings of Jesus), and other sources unique to each. John is the last to be composed, is stylistically very different, and has signs of having a different context of composition and somewhat different purpose. This is important. So I will, in the first case, look at them broadly in order of composition.
The story of the betrayal takes place in Mark 14, which opens with the “chief priests and teachers of law” (or “chief priests and scribes”, if you prefer the King James version) scheming to arrest and kill Jesus. Meanwhile, Jesus is in Bethany, at the home of Simon the Leper, where a woman anoints him with a jar of expensive perfume. Some present are indignant, seeing the waste, that the perfume should have been sold to raise money for the poor – it could have been sold for more than 300 denarii (which the New International Version and King James Version note as more than a year’s wages, though that parallel is different in some other versions; we do know that some years earlier in 44BC, a Roman legionary’s basic pay was 225 denarii a year). Jesus rebukes them, saying that the poor will always be with them, there will be many opportunities to help them – but he will not always be with them. He further states the perfume is anointing him for burial, and promises that what she did will be told wherever the gospel is preached. It is immediately following this that Judas goes to the “chief priests” to betray Jesus, and they promised him money. It is not, however, stated that he asked for any payment. At the last supper he predicts his betrayal, and calls woe upon the one who betrays him, that it would be better for the betrayer if he had never been born. After praying in Gethsemane, he is betrayed with a kiss – the signal to the guards as to whom they should arrest – and taken away after speaking disdainfully of the bearing of arms, the violence that is begun in his defence, and that he was not leading a rebellion. It is silent as to what happened to Judas after this.
The Matthew narrative, in chapter 26, begins closely mirroring that of Mark. Jesus predicts his own crucifixion at the beginning of the chapter, and the scheming of the chief priests, this time with elders, and a named high priest, Caiaphas. The anointment at Bethany is told again, and again Judas seeks to betray Jesus following this. However, this time he asks what he will be given in payment for betraying Jesus, and the famous thirty pieces of silver are mentioned. The prediction of betrayal is made at the last supper, and this time Judas explicitly is among those saying “surely you don’t mean me”. The story of the betrayal with a kiss is very similar, though Jesus says after he is kissed “do what you came for, friend”. A new detail comes after this,at the beginning of chapter 27: when Judas learns that Jesus is to be killed, he returns the money to the priests and elders, saying that he had sinned by betraying innocent blood. The priests scorn him, saying that isn’t their problem, so he throws the money into the temple and goes and hangs himself.
In Luke, the story is in chapter 22. This time, the “chief priests and teachers of law” are looking for a way to get rid of Jesus, and Satan is said to enter into Judas, after which he goes to discuss how he might betray Jesus. They offer money, and he agrees, looking out for an opportunity to hand Jesus over when there is no crowd present. The last supper passes without the prediction of betrayal, and Judas approaches with a crowd after Jesus prays (this time at the Mount of Olives), and then Jesus shows that he knows he is being betrayed – the armed crowd probably being a clue. Again there is conflict, but Jesus speaks even more strongly against it, healing the guard whose ear was cut off by one of his own followers. Again, nothing is said of the fate of Judas.
In John 13, there is less detail of the setting up of the betrayal. Jesus knew that he would “leave the world” soon, and it is stated that “the devil” had prompted Judas to betray Jesus. Jesus washes the disciples feet, and shows his knowledge of the imminent betrayal by stating that not all of his disciples are clean. Then he says it outright, that one will betray him, and indicates precisely who it is (by passing a piece of bread), at which point Satan enters into Judas, and Jesus tells him to do quickly what he is about to do. In chapter 18, Jesus is arrested after Judas brings soldiers to find him, and again an ear is cut off by one of his followers – this time specifically by Simon Peter. Jesus rebukes him for it, because he has to go through with what will happen – he must “drink the cup the Father has given” him. Again, no more is said of Judas after this.
(It should be noted that Acts 1:18 quotes Peter as saying that Judas fell in a field he had bought with the money, and his “bowels gushed out”.)
Interestingly, thanks to Andrew Lloyd Webber’s lockdown-inspired The Shows Must Go On, part of the writing of this post was done while watching a video recording of the 2012 arena tour version of Jesus Christ Superstar. As I have noted as the general case with dramatic interpretations, this draws from all the gospels to put together its story. But it also puts some interpretations that one may consider suggested by the gospels, but not explicitly stated in them. It emphasises the idea that Judas is uncomfortable with the way Jesus’ movement has developed, putting in his mouth statements that the gospels do not attribute specifically (such as the criticism of the use of perfume to anoint Jesus rather than selling it to give money to the poor). It presents Judas as going to the religious authorities as a natural result of following Jesus’ teachings. He didn’t want the money, but took it at their insistence and, as in Matthew, returned the money when he realised that Jesus was to be killed (and then killed himself, again as in Matthew). He even says that he was doing what Jesus wanted. Truly, the only clear villains in Rice and Lloyd-Webber’s interpretation are the Jewish religious authorities (which is unfortunate, a point to which I shall be returning).
The purported actions of the priests and of Judas have been fuel for Christian antisemitism from the beginning. Avaricious motives and/or the actions of Satan explain Judas’s actions in the more recent gospels, and the idea of selling out something as important as the messiah for money has formed part of the negative stereotype of Jews in the Christian mind. John goes on to paint Pilate in a more positive light and the priests more negatively, Pilate as reasonable and the priests as set against Jesus beyond reason. This is perhaps a reflection of the fact it was composed at a time when the early Church was more clearly separating from its Jewish roots, the arguable goal of reforming Judaism given up for the formation of a new church that might be acceptable to the worldly power of Rome. Judas and the priests were either motivated, in this view, by selfish motives of greed and jealousy of power, or were actively opposing the message of Jesus out of sheer evil. It is combined with other tropes of modern antisemitism to lead to the suggestion of a Jew or group of Jews doing something they know to be wrong for “30 shekels” (while the coins in question could plausibly have been one of those known as shekels, the text uses a word that means merely ‘silver coin’), often with a suggestion of it not being a great deal of money (in fact, the figure is mostly likely given in order to parallel uses of the same amount of money in Hebrew scripture).
I wish it were needless to say that I think this wrong, that such a source of suffering and bigotry over the centuries was itself a great evil. However, given the degree of antisemitism among Christians over the whole history of the Church, something that most if not all of my ancestors once you go back a few generations were inevitably in some way party to, it does need to be said. Not only has scripture been used in antisemitic ways, but elements of the composition of the New Testament are clearly driven by antisemitism. That is the wrong meaning to take from the story of Judas – and what I consider the right meaning is certainly not original. It has been said by many before me. Let’s look at some other interpretations.
There is a Gnostic perspective that Judas was literally doing what Jesus asked of him, that he was a favoured disciple and had more of the plan revealed to him and the others. This is somewhat in line with the teaching of the ‘Gospel of Judas’, a title referenced by early Christians but a text that was unknown until the 1970s when a Coptic-language copy was unearthed, coming to light eventually in Switzerland in the 80s and being made public in the early 21st century. This teaches that the other disciples misunderstood the true teachings of Jesus, of an immaterial God in an “imperishable realm”, and the need to connect with the God within. However, before you think “gosh, that sounds very Quakerly”, it teaches that not all have this God within – that only those with the God within are able to understand the teachings, and only these have an immortal soul. This was likely composed in the second century, and its association with Judas pseudoepigraphical (like several New Testament texts). It is also in the form of dialogues, rather than the narrative tradition that came to dominate.
Regardless of what weight you might give such esoteric views, it is clear from the texts as they are written, even if one reads them only as stories, that Jesus knew what was coming. He knew what God’s plan was, at least a little in advance, and the text clearly invites the reader to conclude that things were proceeding as intended. Judas fulfilled a part in that plan. Whether you think his own motives to do so were ignoble, devil-inspired, or somehow noble, it was a necessary step in the plan. Indeed, perhaps he had little volition in it at all (especially if you have a fatalistic view of predestination).
Perhaps Judas was a figure who did what he did for whatever reason, but was wracked with guilt over it. Perhaps he did end up killing himself over it. Yet he did what was necessary. He did something that was wrong, by his own moral standards and possibly by those of others at the time. But it was necessary.
That may be the real lesson of the story of Judas – that wrong things may be necessary to achieve a greater good. A statement that makes us shudder because it may open the door to awful things, yet one that it is difficult to deny absolutely. What would any of us do if faced with a choice like that of Judas, a knowledge of what must be done – morally, not because of some belief that we know God’s will – yet the same knowledge that it is wrong, that it will be seen to be wrong, and that if it is remembered it will continue to be seen as wrong.
Not a position I would envy.
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