Saturday 28 September 2019

Reflection on ‘Maxim 3’ (No system of formal ethics)

No system of formal ethics can properly account for the range of human experience.”
Maxim 3
Portraits of Immanuel Kant and Jeremy Bentham.
This is an interesting one to approach, because one has to understand the phrase “system of formal ethics”. I assume, as the ministry came through me, that it should be understood through the lens of my own understanding at the time. After all, I do not get the sense that ministry is literally words being put in our mouths (or at our hands); it is, rather, a sense of knowledge or the shape of an idea that makes use of our own faculties to be recorded. It is in this way that ministry also comes in the form of verse or visual artwork. This does not mean that the person through whom the ministry is delivered understands it fully, of course – rather that they have better context than others, perhaps, for discerning the meaning of specific terms. It’s important to know that sometimes that context gives little overall insight, but when it comes to what a phrase means, there are certainly times that it is helpful.
(There are also times when ministry comes in a way that adamantly insists on certain words being used without conscious understanding of why on the part of the person through which it comes. That is not the usual situation, in my experience, but it is not uncommon.)

Friday 27 September 2019

Quakers and ‘Paksworld’

Three books resting on a dark wooden surface. The books are all by Elizabeth Moon, in the Paksenarrion series. They are "The Deed of Paksenarrion", "Oath of Fealty", and "The Legacy of Gird".
Continuing the theme of my previous post, about the fictional setting of Valdemar in the context of Quakerism, I’m going to look at another fictional setting and see what parallels there might be. Today, you get to read my thoughts on Quakers and the setting of the ‘Paksenarrion’ books. This was introduced to the world through the three-volume fantasy novel The Deed of Paksenarrion (the volumes being Sheepfarmer’s Daughter, Divided Allegiance, and Oath of Gold), a Tolkienesque fantasy epic with a female protagonist, Paksenarrion (shortened to ‘Paks’), an asexual soldier (and yes, the asexuality is plot relevant, which is pretty good going for the late eighties), who goes on to bigger and better things (while still being a fighter) and saves, well, not the world exactly (at least not directly – that comes with other people in the sequels) but at least the way of life of people of her own culture. That’s a familiar line for those who would take people to war in the modern world, but she is not fighting against people of another culture, but for good against evil.
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